Somewhere to start. Each one sets a look, a shape and a sound, so all you bring is the story. None of what it picks is permanent.
Ways in for every idea,and none of them binding.
Pick one and
change it
32
Starting points, all editable
31
Need only a sentence to begin
13
Cut tall, for a feed
3x8
Shapes and lengths, swapped later
All 32
Vertical, hook in two seconds, cut for the feed.
No house style. The planner reads your sentence and decides.
Close, slow and quiet. Vertical.
Original lyrics, sung, with the cuts landing on the beat.
Flat 2D illustration, hand-drawn feel, limited palette.
Hooks fast, shows it in use, ends on the ask.
Stylised 3D with soft lighting and real depth of field.
First person, one twist, a payoff you wait for.
Bright, repeatable, and built to be sung back.
Slow pacing, warm narration, nothing startling.
Upload real photos. Every frame keeps the product honest.
Cinematic, a line worth repeating, hero shot last.
Upload a clip. Put you, you animated, or a drawing in it.
Cel shading, expressive linework, dramatic light.
Layered card stock with real edges and shadows.
You, a drawing or anyone, talking to camera.
Stop-motion feel, thumbprints and all.
Extreme close-ups. Texture fills the frame.
Live-action look — natural light, graded, filmic.
Their drawing becomes the star, just as they drew it.
Real weight and momentum. The motion is the point.
Your photo becomes the hero, in any look.
Clean ink outlines, almost no fill, one accent.
Every shot drifts slowly inward. Patient and wide.
The camera circles one subject so it reads in the round.
Shadow-puppet shapes against a glowing ground.
Words on screen do the talking. No narrator.
Hands, a clean surface, one reveal at a time.
Soft washes on damp paper, colors pooling at the edges.
Chunky pixels, limited palette, 16-bit crispness.
Overhead, one step per shot, numbered.
Faceted geometry and hard flat shading.
Choosing one is a smaller decision than it looks. It writes three things down for you, and each of the three is a control the moment the first cut exists.
The look
Drawn, rendered, filmed, folded out of paper — the style is an instruction, not a format. Swap it and the same story comes back wearing something else.
The shape
Wide for a screen, tall for a feed, square for a post. 3 shapes and 8 lengths, from fifteen seconds to five minutes, and neither is settled by pressing a card.
The sound
A voice reading it, a song written for it, or nothing at all. The cuts land on the beat either way, and every line of what is said is yours to rewrite.
A fox who is afraid of heights learns to fly
Me as a knight who saves the school bake sale
My dance video, but it is me as a cartoon
A girl and a crane cross a paper moon together
Three ingredients, one pan, eight minutes